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Kings and Pawns – Chapter 1 – PIECE  3   Calculon

Artist PIN (sculptural-object), applied arts –  jewellery design

2013–2014, Florence, Italy

Author: Milan Stamenovic

Handmade, unique piece (one of a kind)

Materials:
Watch mechanism parts, tin elements, brass elements, semi-precious stone (aulite with inclusions of pyrite), 22k gold lief, metal chain, resin, leather.

Provenance / status:
All works from the Kings & Pawns chapter are held by the artist.
Availability, acquisition, or institutional loan inquiries are considered upon request.

Calculon marks the transition from desire to strategy. Where earlier works within Kings & Pawns register awareness and aspiration, this piece introduces calculation as a governing condition. Power is no longer imagined; it is assessed, measured, and optimized.

The mechanical core of the object — composed of dismantled watch components — is no longer symbolic of suspended time, but of instrumental time. Time becomes a variable, a tool, a sequence of decisions arranged for maximum advantage. The mechanism does not function, yet its logic persists: order without motion, control without resolution.

Duality remains central. One side exposes a dense interior of gears and metallic tension, presenting the architecture of decision-making — layered, precise, and deliberately opaque. The reverse withdraws into an austere surface, reinforcing the principle that calculation often conceals itself behind apparent simplicity. What is visible is never the full operation.

The inclusion of darker mineral elements introduces weight and gravity. These materials resist reflection and absorb light, reinforcing the psychological state of inward focus. Ornament is absent; every component appears justified, positioned, and necessary. Nothing here is expressive — everything is intentional.

Within the diagnostic framework of Kings & Pawns, Calculon represents a critical point: the moment an individual accepts that advancement requires trade-offs, exclusions, and silent arithmetic. Empathy recedes. Efficiency emerges. The human figure is not erased, but reorganized.

As a wearable object, Calculon functions as a private instrument rather than a signal. It is not worn to be seen, but to be remembered — a reminder that once calculation governs action, innocence cannot be recovered. The move has already been made, even if its consequences have not yet arrived.