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HUNTER COLLECTION
ACT 4 — SYMBOL

Applied anthropology expressed through wearable form.

Once alignment is achieved, meaning emerges.
Act 4 is the moment when structure begins to speak. Not through language, and not through numbers, but through symbolic condensation — gestures that no longer require explanation because they carry memory within their form.
Here, the human idea stops negotiating with nature and begins to signify within it. Materials are no longer merely aligned; they are composed into signs. Each element functions as a bearer of accumulated experience: touch, balance, weight, choice.
Symbol is not abstraction.
It is lived knowledge made visible.
This Act marks the threshold where applied object becomes cultural marker.
All pieces are unique applied arts objects, handmade by the artist in Florence, Italy.
Wearable art jewelry from the Hunter Collection shown on a humanoid botanical totem, introducing symbolic language.

Understory Signal

Transformable ornament (bracelet-necklace), applied arts – anthropology jewellery design
Florence, 2011–2012

Meaning begins quietly.
Symbol emerges from attention.


Applied anthropology jewelry from the Hunter Collection worn on a humanoid botanical figure, expressing symbolic coding.

Leaf-Code Reliquary

Transformable ornament (bracelet-necklace), applied arts – anthropology jewellery design
Florence, 2011–2012

Knowledge condenses into form.
Language is no longer required.

Wearable art jewelry from the Hunter Collection integrated into a humanoid totem, expressing symbolic observation.

Canopy Witness

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Observation becomes sign.
What is seen begins to signify.

Hunter Collection wearable art jewelry on a humanoid botanical totem, symbolizing transformation.

Hollow Gold

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Value detaches from possession.
Symbol replaces ornament.


Wearable art jewelry from the Hunter Collection worn on a humanoid totem, expressing symbolic value.

Butterfly Interruption

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Change enters the system.
Transformation becomes legible.

Applied anthropology jewelry from the Hunter Collection shown on a humanoid totem, suggesting symbolic environment.

Suspended Habitat

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Meaning needs space to exist.
The symbol creates its own environment.


Wearable art jewelry from the Hunter Collection integrated into a humanoid botanical totem, expressing memory.

Root Memory

Transformable ornament (bracelet-necklace), applied arts – anthropology jewellery design
Florence, 2011–2012

Memory settles below the surface.
The past is carried, not displayed.


Applied anthropology jewelry from the Hunter Collection shown on a humanoid totem, expressing cyclical symbol.

Moss Circuit

Transformable ornament (bracelet-necklace), applied arts – anthropology jewellery design
Florence, 2011–2012

Repetition prepares continuity.
Symbol begins to cycle.

Wearable art jewelry from the Hunter Collection worn on a humanoid totem, expressing contrast and symbol.

Thornlight

Transformable ornament (bracelet-necklace), applied arts – anthropology jewellery design
Florence, 2011–2012

Meaning resists comfort.
Illumination retains tension.

Final symbolic wearable art piece from the Hunter Collection shown on a humanoid botanical totem.

The Green Mouth of Time

Transformable ornament (bracelet-necklace), applied arts – anthropology jewellery design
Florence, 2011–2012

Symbol reaches its threshold.
Continuity prepares to begin.

Once form begins to signify, it seeks transmission.
Meaning cannot remain static without dissolving.
What follows is continuity.