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HUNTER COLLECTION
ACT 1 — ORIENTATION

Applied anthropology expressed through wearable form.

Before intention becomes direction, the body learns to register time.
Act 1 gathers the first gestures of awareness — moments where instinct awakens but has not yet solidified into strategy. These forms exist prior to pursuit. They listen before they move.
Porcelain watch quadrants appear as witnesses of duration rather than instruments of precision. They introduce time as lived experience — marking that orientation is never instantaneous, but formed through patience, repetition, and presence.
This Act is not about choosing a path.
It is about realizing that the quest has already begun.
All pieces are unique applied arts objects, handmade by the artist in Florence, Italy.
Wearable art jewelry from the Hunter Collection shown on a humanoid botanical totem, introducing orientation.

First Threshold

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Awareness precedes direction.
The body pauses before choosing a path.


Applied anthropology jewelry from the Hunter Collection worn on a humanoid botanical figure, expressing emergence.

Seed of the Hunter

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Intention exists before form.
Orientation begins as potential rather than action.

Wearable art jewelry from the Hunter Collection shown on a humanoid totem, exploring silent orientation.

Silent Mechanism

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Calibration happens without instruction.
Time is present, but unread.

Applied anthropology jewelry from the Hunter Collection worn on a humanoid totem, expressing ritual orientation.

Ritual Aperture

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Orientation is a deliberate opening.
The body becomes receptive to duration.


Wearable art jewelry from the Hunter Collection shown on a humanoid botanical totem, expressing organic orientation.

Moss Oath

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Commitment forms quietly.
Patience binds the body to its environment.

Applied anthropology jewelry from the Hunter Collection worn on a humanoid totem, expressing memory and orientation.

Archive of Breath

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Memory begins before language.
The body records what passes through it.

Wearable art jewelry from the Hunter Collection shown on a humanoid totem, exploring pre-linguistic identity.

Name Before Name

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Identity emerges without definition.
Presence precedes classification.


Applied anthropology jewelry from the Hunter Collection worn on a humanoid totem, expressing curiosity.

Anatomy of Wonder

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Curiosity initiates movement.
Attention becomes the first gesture.

Wearable art jewelry from the Hunter Collection shown on a humanoid totem, expressing imperfect origin.

Unclean Beginning

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Origins are never pure.
Experience marks the start of the journey.

Final orientation-phase wearable art piece from the Hunter Collection shown on a humanoid totem.

System of Forms

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Orientation becomes structure.
The language of the Hunter is set.

Orientation alone does not move the Hunter forward.
Awareness must encounter resistance to become direction.
What follows is contact.