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HUNTER COLLECTION
ACT 2 — CONTACT

Applied anthropology expressed through wearable form.

Act 2 is contact: the moment where human intention stops observing and begins negotiating. Nature answers back — through weight, resistance, imbalance, and friction. Here, gilded perpendicular antler sections mark the precise point where human will intersects what was already formed by time. Gold is not decoration; it is evidence of intervention.
All pieces are unique applied arts objects, handmade by the artist in Florence, Italy.
Wearable art jewelry from the Hunter Collection shown on a humanoid botanical totem, expressing first contact.

First Resistance

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Orientation meets opposition.
The world answers back.


Applied anthropology jewelry from the Hunter Collection worn on a humanoid botanical figure, expressing negotiated balance.

Negotiated Balance

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Contact requires adjustment.
Stability is learned, not imposed.

Wearable art jewelry from the Hunter Collection shown on a humanoid totem, expressing accepted weight.

Weight Accepted

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Pressure becomes information.
The body adapts rather than retreats.

Applied anthropology jewelry from the Hunter Collection worn on a humanoid totem, expressing direction under pressure.

Direction Under Load

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Movement continues despite resistance.
Intent refines itself through contact.


Wearable art jewelry from the Hunter Collection shown on a humanoid totem, expressing friction.

Friction Point

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Learning occurs at the surface of resistance.
Knowledge sharpens through touch.

Applied anthropology jewelry from the Hunter Collection worn on a humanoid totem, expressing interruption.

Carried Interruption

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Contact leaves residue.
The body carries forward what interrupts it.


Wearable art jewelry from the Hunter Collection shown on a humanoid totem, expressing ethical contact.

Contact Without Dominance

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Response replaces control.
Ethics emerge through restraint.


Applied anthropology jewelry from the Hunter Collection worn on a humanoid totem, expressing suspension.

Suspension of Certainty

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Contact destabilizes orientation.
Attention intensifies before resolution.

Wearable art jewelry from the Hunter Collection shown on a humanoid totem, expressing impact.

Trace of Impact

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Impact leaves a record.
The body becomes an archive.

Final contact-phase wearable art piece from the Hunter Collection shown on a humanoid totem.

When Resistance Persists

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Contact does not conclude.
The lesson continues into alignment.

Contact teaches through opposition.
Adjustment replaces certainty, and balance remains provisional.
What follows is alignment.