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HUNTER COLLECTION
ACT 5 — CONTINUITY

Applied anthropology expressed through wearable form.

Continuity is not repetition.
It is transmission.
This act does not conclude the Hunter narrative; it releases it. Here, form no longer resists meaning, nor does nature confront the human gesture. Instead, materials, memory, and intent circulate freely — as water does when it recognizes itself in every vessel it passes through.
The pieces in this act embody continuity as an anthropological condition: the persistence of ritual through transformation, the survival of symbols beyond their original function, and the quiet certainty that what is made by hand carries forward the hand that made it.
Hunter does not end.
It continues — altered, redistributed, alive.
All pieces are unique applied arts objects, handmade by the artist in Florence, Italy.
Wearable art jewelry from the Hunter Collection shown on a humanoid botanical totem, exploring continuity and applied anthropology.

First Loop

Transformable ornament (bracelet-necklace), applied arts – anthropology jewellery design
Florence, 2011–2012

Return does not repeat.
It confirms what endures.


Applied anthropology jewelry from the Hunter Collection worn on a humanoid totem, expressing continuity and persistence.

Residual Heat

Transformable ornament (bracelet-necklace), applied arts – anthropology jewellery design
Florence, 2011–2012

What remains active persists.
Transformation leaves energy behind.

Wearable art jewelry from the Hunter Collection integrated into a humanoid botanical figure.

Standing Signal

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Form stays upright across time.
Meaning no longer requires effort.

Applied anthropology jewelry from the Hunter Collection shown on a humanoid botanical totem.

Returning Measure

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Repetition stabilizes presence.
The cycle finds its rhythm.


Wearable art jewelry from the Hunter Collection exploring continuity and repetition.

Repetition With a Soul

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

The gesture survives reuse.
Continuity retains intention.

Wearable art jewelry from the Hunter Collection displayed on a humanoid botanical totem, exploring balance and continuity.

Keeper of Balance

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Equilibrium is maintained, not fixed.
The body carries it forward.


Applied anthropology jewelry from the Hunter Collection shown on a humanoid botanical figure, expressing continuity through renewal.

The Same, Remade

Pin (sculptural-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Return allows change.
Form persists through renewal.


Wearable art jewelry from the Hunter Collection integrated into a humanoid botanical totem, emphasizing continuity.

Unbroken Thread

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Connection is not interrupted.
What passes through remains linked.

Hunter Collection wearable art jewelry shown on a humanoid totem, expressing persistence and continuity.

Persistent Form

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

Structure outlives context.
Material remembers its purpose.

Final wearable art piece from the Hunter Collection shown on a humanoid botanical totem, symbolizing continuity.

The Last Proof

Pectoral (necklace-object), applied arts – anthropology jewellery design
Florence, 2011–2012

This is not an ending.
Continuity needs no conclusion.

Continuity is not an ending.
What persists reshapes itself as it moves forward.
The Hunter does not conclude here — he continues elsewhere.